In this system, the major-minor duality is meaningless and the practice of modulation is dropped, although subject modulation occurs in the second fugue, to create growing tension. The Hindemith (Paul Hindemith ,1895-1963) as an outstanding representative of the neo-classical composers, is half of the 20th. The affinity of each note with the keynote is directly related to its position on the harmonic scale. Author: GaoPei Tutor: HouKangWei School: Shandong University Course: Art Keywords: Hindemith Tonality game Prelude Fugue CLC: J624.1 Type: Master's thesis Year: 2008 Downloads: 186 Quote: 1 Read: Download Dissertation. ![]() Hindemith wrote ‘Ludus tonalis’ in 1942 while staying in the US as a refugee from Nazi Germany. Ludus Tonalis can be thought of as the most direct application of Hindemith's theory that the twelve tones of the equally tempered scale all relate to a single one of them (called a tonic or keynote). A 20th-century counterpart to ‘The Well-Tempered Clavier’ in a landmark recording, long unavailable, newly remastered and transferred to CD from the original tapes for the very first time. Unlike Bach's work, though, the non-fugal pieces in Ludus Tonalis frequently repeat the work's main theme. Ludus Tonalis was intended to be the twentieth-century equivalent to J.S.
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